Palestine Cinema Days: Around the World - Ma'lou Celebrates Its Destruction
As part of Palestine Cinema Days, de Brakke Grond is organizing, during Museumnacht, a screening of the short documentary Ma’loul Celebrates Its Destruction. Unfortunately, this year, the Palestine Cinema Days festival will once again not take place physically in its hometown of Ramallah. Instead, it will be held as a decentralized global film festival, occurring simultaneously at multiple locations on the symbolic anniversary of the signing of the Balfour Declaration on November 2nd, to amplify Palestinian voices. Last year, 86 cities participated, with a total of 171 screenings. On 2 November, several screenings will also take place in Amsterdam and the Netherlands.
Ma'loul Celebrates Its Destruction is a short, poetic documentary about the inhabitants of Ma’loul, who, during an annual picnic, recall memories of their village, occupied and destroyed by Israel.
Since the declaration of the state of Israel in 1948, countless Palestinian villages have been erased from the map. Ma’alul, just west of Nazareth, is one such ruined village. It was primarily inhabited by Palestinian Christians, who were forced to leave in 1948 during the Arab-Israeli War. A painting preserves their memory of the village, which, since ancient times, had fallen under Jewish, Roman, Ottoman, and Palestinian rule. Since the declaration of the state of Israel in 1948, countless Palestinian villages have been erased from the map. Ma’alul, just west of Nazareth, is one such ruined village. It was inhabited principally by Palestinian Christians, who were forced to leave in 1948 during the Israeli War of Independence. A painting contains their memories of the village, which had seen Jewish, Roman, Ottoman and Palestinian rulers come and go since ancient times.
Each year on Independence Day, the elderly take their grandchildren to their ancestral ground. Apart from the ruins of their houses, only a mosque and two churches remain, hidden amidst the fir trees that the Jewish National Fund has planted on the land. That same day, a Palestinian schoolteacher explains the history of Zionism to his young students—and why in the wake of the Holocaust, the Jewish people had such an urgent need for their own nation, a place where they could feel safe. An older man considers it unjustifiable that the Palestinians have become the indirect victims of the Nazi terror, in which they played no part whatsoever. In his mind, “We are the real children of Israel”.
About the director
Michel Khleifi is a Flemish-Palestinian filmmaker, born in Israel to an Arab-Palestinian family. He moved to Belgium at a young age, where he studied theater directing, radio and television at INSAS in Brussels. He first returned to Palestine in 1980 to make his documentary debut Fertile Memory, the first feature film shot in the Palestinian West Bank. His fiction debut Wedding in Galilee (1987), a political film about the Israeli-Palestinian conflict, brought him international recognition, including the Prix de la Critique Internationale at the Cannes Film Festival.
Khleifi's films show the complexity of life under occupation and represent a major turning point in Palestinian cinema. He breaks the stereotype of homogeneous identity by exploring different voices and personal trajectories. His innovative blending of documentary and fiction, as well as his labyrinthine approach to collective memory, remain an influential voice in the world of cinema. Michel Khleifi will also be showing his film Route 181, which he made with an Israeli filmmaker, at IDFA in November.