In her new creation, Liz Kinoshita reaches into her mechanisms of the musical research for this performance to focus on one particular mechanism, the '11 o'clock number', traditionally found in musicals as the second to last number wherein a protagonist makes a pivotal realisation through a soliloquy-like address, generally with plenty of emotion, conviction, drive and heart. Historically it can be a show-stopper or a melancholic reflective moment. Liz has an interest in how we conduct ourselves, and what power there is in listening to and observing each other's methods for dealing with today's quandaries... Do we pray, do we indulge, do we lash out, do we acquiesce? The title 11 O'clock lends itself to the conation of the 11th hour, of impending catastrophe, of an immediacy and directness, to be delivered on stage. As always Liz strives to make performance in which the audience feels addressed and energized. 11 O'clock aims to come face to face with our truths through dance, song and direct rhetoric.